Meaning, don't go into it expecting a beat-'em-up, good-guy-wins story.Īs great as the lettering is for each character, it does become a hindrance as it's hard to read. It's very unlike other "Superhero" comics. Heavy church/religious themes throughout. Made in the ‘80s: Some dialogue and more "edgy" moments haven't aged well or feel stiff. Trigger Warning: Even for adults, there are some sexual themes/moments that some may want to steer well clear of. it’ll be just like coming home.” – BatmanĪdult Content: Although it may revolve around Batman, beware, it includes a lot of adult themes! As amazing as it is, it's not for kids! when I walk into Arkham and the doors close behind me. And I’m afraid that when I walk through those asylum gates. Sometimes…I question the rationality of my actions. I'm afraid that The Joker may be right about me.
Memorable Quote: “Afraid? Batman's not afraid of anything. Plus, it was the inspiration of 2009's Batman: Arkham Asylum. The story had such a huge impact, its themes have been injected in other stories. With the differing font styles, you feel like you can actually hear that character when reading a piece of dialogue. Letters by Gaspar Saladino are unlike any lettering done in a comic, with each character receiving a different font style. The differing mix of media McKean applies to his art returns here, making each panel and page unique. The way McKean portrays each moment makes you fear for Batman while making sure you never want to visit the asylum. McKean's art is hauntingly beautiful while matching the tone and story perfectly. Instead, it's a deeper look at a hero, his villains, and the asylum that holds them.īatman's portrayal is his most badass, yet human-feeling. It's a different type of superhero comic. One that really stood out is having Two-Face use a stack of cards instead of his coin as a means to fix his "problem." Morrison's interpretations of the characters were different than what had previously been done. The plot, pacing, and overall atmosphere of the story feel unlike any other early Batman story.įocusing on a location for the plot instead of the usual "big, bad villain" that needs to be stopped opened up a multitude of possibilities for the story, letting Morrison tell the unique story he wanted to.
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